ASTROPHOTOGRAPHY - TIPS
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Last updated: 30 June 2002

This page documents astrophotography comments, tips, and photos. Contributions welcome. Be certain to see the other articles on the main Astrophotography page.


Subject:	Astrophotography with Olympus C-3000 and ETX-125
Sent:	Tuesday, September 18, 2001 12:56:56
From:	peterrossi@lucent.com (Peter Rossi)
I have an Olympus C-3000 Digital Camera that I would like to use with my
Meade ETX-125EC Telescope to take photographs.  I have purchased the
Scopetronix Digit-T Camera Attachment System for the C-3000.  A very
impressive collection of adapters I might add.

The camera is a really nice unit.  It takes GREAT pictures except when I
try to use it with my scope.  I must be missing something.

No matter what I try, I cannot get the photos in focus when I use the
camera with the telescope.  I take the photo but everything is blurred. 
I have tried manually setting the focus of the camera to infinity.  I
have tried automatic focus.  Blurred!!!  I am starting to run out of
ideas.  Can someone out there in the ETX Nebula, shed some light on my
problem??  I am sure I am just missing one little item, but what is that
item.  How do the rest of you C-3000 owners deal with astrophotography??

Mike, keep up the FANTASTIC job!!!  Your Web Site is my absolute
FAVORITE!!!

Thanks Again:

Pete
Mike here: Some thoughts: Use a low power eyepiece with the Digi-T and focus it to your eye. Then attach the camera to the Digi-T. Center a bright object, like the Moon or some terrestrial object. If you can disable auto-focus, do so. If not, focus for infinity. The image should be in focus on the LCD screen. Next, to avoid blurring from hand-induced vibrations, use the self-timer. Try automatic exposure first (since it is a bright object). Once you have these techniques down you can move to fainter objects with longer exposure times.

Subject:	Do I need a drive corrector?
Sent:	Sunday, September 23, 2001 18:24:06
From:	kbratz@home.com (Ken Bratz)
About 6 months ago I purchased an ETX 90EC.  This is my first scope, and
I have to say that I am quite the rookie when it comes to some of the
specifics spoken here.  I would like to get into some Astrophotography,
but I am not sure I have the right equipment for it.  I have a Canon EOS
SLR camera, both of the camera adapters from Meade, and I also purchased
the JMI Piggyback Camera Mount that I read about on your site.

My question is this:  What exactly is a dual axis drive corrector and do
I need it for astrophotography with the ETX 90?  I have read a little
about them, but I have to say that I am still unclear as to what it
actually does for the scope.  I am also considering purchasing the
Celestron Guide Eyepiece.  I obviously would like to begin with some
piggyback shots, then progress into some prime focus shots in the
future.  I know that my scope may not be the best for some photography
applications, but I think this is a good place to start my new hobby.  I
researched the scope before I bought it and finally came to a decision
based mostly on the positive reviews from your site.

Thanks for all the info you have for rookies like myself!  I'm sure
there are plenty of us out there!

Ken Bratz
San Diego, CA
Mike here: The ETX-90EC with or without the Autostar has dual-axis control but it will require manual drive corrections during tracking. That's where a guide eyepiece helps. However, since you are using the eyepiece you can't take photos through the eyepiece without some additional equipment. But for piggyback astrophotography this setup works fine. Remember to polar mount the ETX. If you add an off-axis guider attachment you can guide and do photography through the telescope at the same time but I've not tried one with the ETX.

Subject:	Polar alignment for astrophoto
Sent:	Monday, October 8, 2001 23:39:00
From:	g.yedema@cbd-fryslan.nl (G. Yedema)
At the risk of asking a very stupid question: I was reading the mails on
your site, and quite a few make the remark that for making astrophoto's,
the scope (I have an ETX70) has to be in polar alignment.

Here's the stupid question: why is that? In Alt-Az. the scope is
compensating the earth rotation so in theory it will stay pointed at the
same location... or isn't it? Is it perhaps that movement over two axes
isn't precise enough?

I hope you can give me an answer...

Sincerely,

Gerben Yedema
Leeuwarden, Netherlands
Mike here: When a telescope is NOT polar mounted, the sky will rotate in the field of view of the eyepiece or camera. This is due to the movement of the telescope in two directions (altitude and azimuth) versus one (Right Ascension). For very short duration photos this is not a problem but for longer ones trailing will occur.

And:

Thank you for your answer! After thinking it over (a few times...)it now
seems logical to me; it is, in alt-az. mode, as if the whole sky moves
around one point; that point only keeps ok on the photo while everything
around it seems to circle around it... Thank you again for making that
clear to me!

Subject:	Vibration and astrophotography
Sent:	Monday, October 8, 2001 16:36:29
From:	david.milne1@ntlworld.com (David Milne)
I'm about to buy a telescope, and wish to take photos, as that's my real
love.  I've noticed, while going through your fascinating site, mentions
of SLR mirror shake when using 35mm cameras.  Years ago I had a
wonderful camera - manual, with a mirror lock up, which I used with a
1000mm lens for lunar photography - no vibration!  The camera, alas, is
no longer made, but is readily available in second-hand camera shops at
very reasonable prices - the Olympus OM-1.  Easy to use, compact and
light (an issue with balance I have also noted in your pages).  Olympus
also were a great producer of microscope accessories, adapters etc, so I
would imagine it's worth looking into - once I have my telescope, I may
find an old OM-1 and give it a try - any promising results I'll add to
your website - keep up the good work, it's an encouragement to us all.
So we can't compete with Hubble, but it's amazing what a little care and
attention will accomplish.  As for the digital photo stuff, I think I'll
have to give that a go as well.

Regards,

Subject:	RE: Jupiter Photography
Sent:	Monday, October 15, 2001 19:03:44
From:	jy@lesbeninger.com (Jean-Yves Beninger)
Here is the details of the webcam I used for the Jupiter's shots. It's
amazing what can be done nowadays with double sided tape and cheap but
powerful components.

Cheers

Jean-Yves Beninger
ETX Cam

Subject:	astropghotography
Sent:	Thursday, October 25, 2001 19:51:17
From:	kenariz@juno.com (Ken W Anderson)
I have found your website on astrophotography a valuable tool for a
begginner. However I would like to share a problem I have been having
and would like to know if it is me or the one hour photo lab Im sending
my pics to. Attached is a JPEG of a index print of some lunar pictures.
As you will notice that some pictures turn out and some dont it veries
thruout the roll. As I take eyepiece projection pics I will change
eyepices in a dark room to avoid light exposure. Now since I have a
inconsistancy on the pics is it a product of the lab or is it me
changing the camera adapter? The film I used on these was a ISO 400
Fuji. Any help will be greatly appreciated.
film strip
Mike here: I really need to know more about how you are taking the exposures before I can give a good answer. However, some thoughts come to mind. You mention you are changing eyepieces in a dark room. Why? Are you leaving the shutter open while you change eyepieces? If so, that leads to a possible cause: inconsistent exposure times from one exposure to the next (or stray light or both). You don't mention the camera you are using but if it is an automatic exposure camera then sometimes it will get the "meter reading" right and sometimes it will get it wrong. This is due to the "hot spot" location where it gets its main reading. If the Moon is in the hot spot, fine. If black sky is in the hot spot, oops -- overexposure. But even if reading the Moon, you may still get an over or underexposure depending upon the phase, film, shutter speed capabilities. Lastly, you should always have one or two (I prefer two) daylight shots at the beginning and ending of the film strip. That allows the lab (or machine) to better calibrate the exposure AND to avoid cutting frames in the middle.

And:

I am using a zenit em it is a manual camera.The shutter is closed when I
change eyepieces. What I find so strange is that some pictures come out
and some dont. Whether they are at the begining  or the end. Another
question how about  putting the pics on cd? instead of processing the
film.
Mike here: I like PhotoCD, which is higher quality than JPEG on CD-ROM. It is also more expensive. But that won't change the processing or exposure problems.

Subject:	EXT125/digital camera question
Sent:	Thursday, November 8, 2001 5:53:15
From:	Jeanne_Callaghan@progressive.com
Mr. Weasner, my huband Chuck has a Meade ETX 125 telescope that I bought
him for Christmas last year.  I got that model  after finding your
website (thank you for your website - it's wonderful)  and he loves it. 
He's even corresponded with you a few times regarding accessories etc.. 
With the weather recently turning cooler down here in Florida he's been
out every night for the past few weeks since the sky's are so clear.   
Well, this year I'd like to get a digital camera for him and saw that
Scoptronics has the adapters for digital cameras, I am thrilled.

I am starting my research and I'm open to any models but I'd like to
keep the price under $1000, if possible.  My question to you is in your
corresondence with others have you heard of one or two digital cameras
which perform better with the telescopes than others?  Is there anything
in particular that I should be aware pertaining to the cameras which is
specific to using them with telescopes?  For example, I know that there
are various pixel's etc and are there any requirements that I should
specifically look for since this will be used on the telescope?

I know I have alot of research to do but I wanted to make sure I had all
my bases covered when it comes to the telescope.   Thank you so much. 
I'm sending this from my work e-mail address so he won't find out.

Thanks,

Jeanne Callaghan
Mike here: Almost any digital camera can take good pictures through a telescope. If you want to attach it using the Scopetronix Digi-T System you will need a camera that is supported by the Digi-T (i.e., has adapters). Another consideration is degree of control over the exposure. For objects like the Moon, fully automatic exposure is likely OK but for fainter objects you will need to control the exposure manually. Some cameras even allow exposures of up to 8 or perhaps 60 seconds. And don't forget a self-timer feature; you need that to allow vibrations to dampen out after pressing the shutter button.

And:

Thank you so much for the quick response.  I would not have thought of
the self-timer and exposure issues you mentioned so that is very
helpful. Yes, I plan on buying one of the Digi-T adapter on the
Scopetronics website.  I appreciated the fact that they listed the
camera models which can use Digi-T, fortunately the models I am
considering are all listed.

Subject:	PantherObservatory 
Sent:	Thursday, November 29, 2001 13:31:17
From:	DonMcClelland@webtv.net (Donald McClelland)
I thought this site might interest you as he uses the Coolpix 995.
Check out the tips and gallery sections.
Don

http://panther-observatory.com/
And:
I found this one and I think it might head off a lot of questions about
digital camera imaging.  Hope this link works better.
Don

users.erols.com/szykman/Astro/AstroDigiCamFAQ.html

Subject:	Trick to focusing camera?
Sent:	Thursday, December 6, 2001 22:37:06
From:	bryangm@excite.com (Bryan Morris)
I've been using my ETX-90EC for awhile now and figured I'd try taking
some pictures.  I am polar aligning and the tracking and everything
works great.  I bought the camera adaptor that holds an eyepiece and
attaches to my Nikon FM10 SLR camera.  I tried Jupiter first as it was
bright and easy to see.  First I tried putting the 26mm eyepiece in the
adaptor and putting the whole thing into the ETX, focusing to my eye,
and then attaching the camera and taking a couple exposures.  Those
pictures came out as white doughnut looking images.  I also tried
attaching the camera, putting the whole thing on the telescope, and then
focusing the telescope while looking through the viewfinder on the
camera.  I could see the doughnut.  I focused enough to see Jupiter as a
single disk... more or less.  Those pictues came out better, as I could
see a single white blurry disk and 3 blurry dots to the sides (moons). 
My problem is that it is nealy impossible to focus through the camera
viewfinder because the image is very dim and not very clear, even after
focusing back and forth a few times.  I couldn't imagine trying to focus
a star cluster or nebula.  Can someone share the secret or point me to a
good source for figuring this out?  Thanks for your help!

-bryan
Mike here: Yes, that is one of the challenges of SLR astrophotography. However, there is a neat item that can be purchased or homemade. See the "Focus Aid" article on the Telescope Tech Tips page.

And this:

From:	bryangm@excite.com (Bryan Morris)
Thanks!  I took a piece of cardboard and cut out my own homebrew focus
aid.  I think my next batch of pictures should come out better!  This
last round I experimented with exposure times on Jupiter and Saturn. 
Thanks for the tip!

Its amazing what you can do with cardboard...

-bryan
And another thought:
From:	rseymour@wolfenet.com (Richard Seymour)
The basic guidelines for eyepiece photography is:
(a) focus the telescope for 20/20 vision
(b) focus the camera at -infinity- (aim and focus at the moon?)
(c) put the camera lens as close as possible to the eyepiece lens
     (that minimizes "vignetting".. the "through a too-small-tube" effect)
(d) shoot.

you can practice during the day with distant, well-lit targets

have fun
--dick
And:
From:	bryangm@excite.com (Bryan Morris)
Thanks for the reply!    I am not using a lens on the camera.  It is
attached to a Park eyepiece projection adapter.  An eyepiece goes into
the adapter, and then the two are attached to my camera via a T adapter
made for Nikon cameras.  This effectively turns the whole scope into my
lens.  I focus with the same focus knob used for normal observing
without the camera. The hard part though is that its very difficult to
focus through the viewfinder on the camera due to its dark focusing
screen.  I was wondering if theres any trick or cheat method to doing
this.

Thanks!

-bryan
And:
From:	rseymour@wolfenet.com (richard seymour)
hmmm... i'm not at all familiar with a method that uses an eyepiece,
but -not- a lens in the camera.

I'm used to either: no eyepiece, no camera lens
*or*
eyepiece -and- camera lens (which was what my focus guide covered)

Can you focus on items in the daytime?  I'd always thought that an
 eyepiece didn't deliver the proper light path to create a real
image on an (unlensed) external film plane.

Live and learn.

Given -your- arrangement, i'd try focusing on the Moon (if available)
and trusting that setting for elsewhere in the sky (if 250,000 miles
isn't close to "infinity", what is?)

Otherwise choose the brightest target possible (like Sirius).

(there -are- other focusing screens available.. and some are far
 better suited for star-work (of course i don't remember which ones))

have fun
--dick
Mike here: That's real "eyepiece projection photography". Eyepiece + camera lens = afocal photography.
Subject:	Telescope
Sent:	Monday, December 10, 2001 21:31:25
From:	JakeELee98@aol.com
I have a mead telescope but used to take pictures with a nokia camera, I
had gotten a new camera (canon) but the adapter piece does not fit(the
piece that attaches to the lense hole to the telescope). Do you know
where i could find what I am looking for.
Mike here: Are you talking about a 0.965 to 1.25 inch eyepiece adapter?

And:

Its not an eyepiece adapter. Its a connection that converts a regular 35
mm bayonette attachment to a threaded attachment for the telescope. Its
a ring with 3 or 4 hooks on one end and adapts it to a screw like end
Mike here: OK. It sounds like you are referring to a T-Mount ring. There are specific ones for each camera lens mounting design (bayonet or screw). Your local camera dealer should be able to help you.
Subject:	ETX 60-AT Eclipse Photo glitch
Sent:	Saturday, December 15, 2001 21:19:29
From:	FGutcher@aol.com
Using my ETX 60-AT and the great JMB Solar filter I got from
Scopetronix, I shot the attached photo of yesterday's solar eclipse. 
The odd thing is I got this strange inverse double image.  It was not at
all apparent through the eye piece or the camera's viewfinder.  I was
using an old Nikkormat attached to the rear cell of the ETX.  It was
there, with variable distance between the images, in every frame.  I
have taken pictures of the moon with this same configuration, without
the filter of course, with no problem.  Any ideas?

Thanks,

Frank
Sun
Mike here: Looks like an internal reflection. I suspect it is coming from the inside surface of the solar filter. Can you vary the spacing between the filter and the telescope lens?

And:

I think you are probably right.  However, I did make sure it was on
there snug.  It is one that just slides over the objective end of the
scope.  The only direction I could try would be out, meaning further
from the objective lens but I am a little leary of having it come off at
a bad time.  Again, its not something that I noticed visually.  Maybe
photography in this configuration isn't going to be an option.  I will
do some experimenting though.  I'll keep you posted.
And more:
One other thought on the double image reflections.  I may have to make a
different choice of film.  I was using Fuji 400.  Maybe something with
less latitude and speed might not pick it up.  Fuji 400 is far more
sensitive that my eyes.  Maybe less sensitive film won't pick it up
either.  By the way, I just went back out with the scope and looked at
the sun (between the clouds we are having here in Florida today) and
confirmed that it isn't there when I look through the silly thing.  I
will try and figure out how I can vary the distance between the filter
and the objective safely.  The one thing that confuses me about that is
that the ghost image varied in distance from the main image.  So
distance of the filter from the objective must be only one factor. 
Angle of image through the filter and the objective must also play a
part.

I would like to hear from others using an ETX 60-AT and a solar filter
for photographing the Sun and maybe get a handle on what works and what
doesn't.

Thanks again Mike for the great web site!
Mike here: You are correct that exposure level influences what is captured on film. And your earlier comment about the varying distance is what keyed me to it being a reflection. As you move the scope side to side (or up/down), the angle of entrance of the Sun's image changes and so does the angle of reflection.
Subject:	etx60 video attachment
Sent:	Wednesday, December 19, 2001 5:06:03
From:	ts@shechemworks.com (Tuvia Solomon)
I have a Meade etx60 scope and want to attach a Sony Hi-8 trv-87 8mm
video camcorder.  What is the simplest way to do this?  I have seen
products from Adirondack and Stratton for hundreds of dollars which are
generic adapters. I want something cheaper and simpler which will enable
me to view and record a terrestrial image on the camcorder.  Is there
such a thing, or is it preferrable to buy the Meade electronic eyepiece?
 I read that it has 76k pixels, my Sony has something like 320k pixels. 
Is this different in resolution important, given the task?  Also, can
the electronic eyepiece be fitted over both a plossl 4mm and a Barlow 3x
together?

Thank you for responding.

Tuvia Solomon
ts@shechemworks.com
Mike here: Simplest is placing the camera on a tripod and pointing it at the eyepiece. Next simplest (and better) is either the Universal Digital Camera Adapter or the Digi-T from Scopetronix. You may or may not be able to use the Digi-T. For other adapters see the Accessory Reviews - Astrophotography page. I have no experience with the Meade Electronic Eyepiece so can't comment on that.
Subject:	re: ETX 60-AT Eclipse Photo glitch
Sent:	Wednesday, December 19, 2001 13:44:05
From:	rhayes@simulutions.com (Richard Hayes)
I'm using my etx 60, Canon G1, scopetronix digit-t, and a homemade solar
filter (solar mylar, plumbing cap, glue...)  and haven't noticed any
secondary images like Frank is seeing.  (my pics are at
members.shaw.ca/rph/sun_spots.htm).  If the distance between the
two suns varies then I'd say it probably is internal reflection - if you
get the scope pointed dead-on at the sun then the weaker image might not
show up in the photo.  Maybe it's not the filter that is causing the
reflection.  Check the camera end to see if there is any extention tube
that is shiny on the inside.  Just throwing ideas around...

Ricardo

Subject:	About Your own camera
Sent:	Thursday, December 20, 2001 12:20:51
From:	Briguy730@msn.com (Brian Gaines)
do u have an SLR digital camera...In your photos u use a 55mm
lense...cant u only do that with an srl....but how did u get it on ur pc
if it was an asl and not digital??
Mike here: Yep, I also use a 35mm film SLR camera as well as a digital camera. See the "Original Astrophotography - Basics" page (linked from the Astrophotography page) for more on 35mm film to digital.
Subject:	Questions about astrostack
Sent:	Thursday, December 20, 2001 21:34:48
From:	Briguy730@msn.com (Brian Gaines)
when using astrostack I am only able to use two images i cant get
anymore than that...can u give me some help

Subject:	Eyepiece
Sent:	Friday, December 21, 2001 11:05:44
From:	GSkoubis@ussco.com (Skoubis, George)
I was trying to shoot a picture of the moon (full shot) with a digital
camera hand held to my ETX90. I was wondering what eyepiece would give
me that wide shot since the 26mm does not and show big time vignetting.
Will a meade 40mm give me that shot, or would I have to buy a special
wide angle eyepiece?

Thanks-George
Mike here: There are a couple of factors at work here. The distance between the eyepiece and the camera lens will affect both the size of the image and the amount of vignetting. If you digital camera has a zoom or macro capability, try that. With my Ricoh I could not zoom enough to capture a full moon image but could with a wide field adapter and 40mm lens.
Subject:	vignetting
Sent:	Sunday, December 23, 2001 13:01:26
From:	Briguy730@msn.com (Brian Gaines)
what does vignetting mean
Mike here: From my response to this same question on the current Feedback page:
Vignetting refers to the image not filling up the entire field.
Subject:	Astrophotographs
Sent:	Friday, January 4, 2002 12:22:07
From:	mattcoles72@hotmail.com (Matt Coles)
I've got a ETX 70 AT and I'm going through all the options of purchasing
an SLR, and wondered what most people did regarding devoloping. Do they
tend to develop thier own or get them done from a shop? Any Info
regarding this would be very helpful
               Regards
                   Matt
Mike here: A long time ago I used to develop my own film but I stopped (no time). I then used standard photo processing (not the 1 hour variety). Today I use PhotoCD processing. I know that others use 1 hour and pictures-on-disk.
Subject:	Re: Astrophotographs
Sent:	Saturday, January 5, 2002 2:51:04
From:	mattcoles72@hotmail.com (Matt Coles)
Would you recommend me starting piggy backing? Do you find it hard and
do most of the photos come out? Is it better to get a scopetronix piggy
back mount or a meade one?
                 Thanks for your time
                             Matt
Mike here: Piggyback astrophotography is the second easiest way to get started in night sky photography (the first is to just point the camera at the sky and leave the shutter open for several minutes or hours; you get nice star trails and star colors that way). I don't think Meade offers a piggyback adapter.
Subject:	ISO
Sent:	Saturday, January 5, 2002 10:23:11
From:	Briguy730@msn.com (Brian Gaines)
what does ISO mean?
Mike here: International Organization for Standardization. You can visit their web site at: http://www.iso.org/
But I assume you are looking for what it means in relationship to photography. The numbers that follow it are measures of film speed; the higher the number, the "faster" the film (meaning that less light will yield more results).
Subject:	re;Cheap CCD
Sent:	Sunday, January 6, 2002 12:27:31
From:	oznogsc1@earthlink.net (Robert Smerdon)
I tried to email one of the people who posted here about a cheap CCD.
the email was returned undelivered. So I will share this with everyone
here. There is a man by the name of Steve Chambers who has discovered a
way to modify certain CCD webcams to take long exposure pictures. and
has written software for it free.

check out his site. with links to people who have performed his mod with
great results and some nice pictures. in these links also you will find
other mods. A wide field adapter for the webcam mod looks to be
promising and cheap if you have an old set of binoculars laying around
www.home.clara.net/smunch/atm.html

another site 
www.astrabio.demon.co.uk/QCUIAG/

This is a site of people who use unconventional ways to take
astrophotos. A nice site with downloads. there is one download that
looks like it would be of use to everyone taking astrophotos. I can't
remember the name of it. but it claims that you can take a series of
long exposure pictures from a static mounted scope and there will be no
star trails so the pictures can be stacked. lots of pictures here.


Now I don't know how much use the etx 125 will have for a long exposure
cam. but its cheap enough to try and the experiment should be as fun as
the scope itself. I'm going to try it, I will let you know how it comes
out

Subject:	 A question on cameras for astrophotography
Sent:	Wednesday, January 9, 2002 00:06:47
From:	marbla@naisp.net (Blais Klucznik)
To:	sherrodc@ipa.net (Clay Sherrod)
Hello Clay,

Just read your interesting, and informative, article on piggy-backing
with the ETX125 posted on the ETX site.  As a result I wonder if you
could make a suggestion?

I have an Olympus OM SLR that I purchased about 15 or so years ago but
as I am just now getting a bug to try my hand, and luck, at
astrophotography.   I was wondering if you could suggest a decent camera
that I may consider buying?

My second question is 'should the new camera be of the digital type or
still one that uses standard types of films'?

As your astro-photos are magnificent, as is all of your work that I've
seen, I thought I may be able to pry a suggestion from you.  I have
gained much from your wisdom and your experience.

Thank you Clay and have a nice Wednesday.

Blais Klucznik
marbla@naisp.net
And:
From:	sherrodc@ipa.net (Clay Sherrod)
For piggyback photography, the digital cameras are not recommended as the
signal noise accumulates and destroys the integrity of the good image.  With
stacking and dark frame subtraction, you CAN get good results, but by all
means what you have - the Olympus OM camera - is the best 35mm ever made for
astro work!

You can change focusing screens on it to aid in precise focusing and there
is also a viewfinder magnifier available for it; the mirror can be flipped
up out of the way as well, aiding in vibration reduction.

I highly recommend you put that OM to good use!  For the ETX 125, you can't
beat the Scopetronix piggyback adapter.

Good to hear from you!

Clay
----------------------------------------
P. Clay Sherrod
sherrodc@ipa.net
Arkansas Sky Observatory
www.arksky.org
Mike here: Thanks. The other problem with digital cameras for piggyback astrophotography that most will only allow exposures upon one or a few minutes. For short duration photos of less than a second or a few seconds, they work well. So, for planetary and some brighter deep sky objects, digital cameras can work. See the Astrophotography page and the Astrophotography galleries.

And:

Excellent point.....one which I totally overlooked!
Clay
And this:
From:	marbla@naisp.net (Blais Klucznik)
Once again I must say that you folks are amazing.  Not only are you well
versed in astronomical topics but your prompt responses are in a class
by themselves.

I do wonder if you people actually sleep.  It seems just a few hours ago
that Dr. Clay responded to me on camera selection.  (Wee hours of the
morning.)

I have decided to give the piggy-back for the -125 a shot and did order
the mount from Scopetronix.  Maybe after several years I may obtain
images something not too unlike Clay's although THAT is a challenge. In
fact I am going to do some deep site observing at the 'Mighty ETX'
hangout and try to read the related articles there.

Thank You

Blais Klucznik
marbla@naisp.net
And:
Best of luck...you will really enjoy that piggyback mount.

By the way.....SLEEP?

Clay Sherrod

Subject:	RE: Meade ETX for Planetary Astrophotograpy?
Sent:	Saturday, January 12, 2002 14:16:36
From:	lpolikof@twcny.rr.com (Lee Polikoff)
I actually have been exploring your site over the past few weeks. I do
have some questions for you, if you have the time to answer.

1. How well does the ETX 90 or 105 keep the object centered for visual
observing?

2. How suitable is the #883 Field tripod for astrophotograpy? Would I
need to buy a better tripod?

Thanks in advance for your time. BTW, as I'm sure you know, your site is
excellent!!!!

Lee
-----Original Message-----
From: Mike Weasner [mailto:etx@me.com]
Subject: Re: Meade ETX for Planetary Astrophotograpy?

In article (grL%7.1541$j95.299978@typhoon.nyroc.rr.com),
 "Lee Polikoff" (lpolikof@twcny.rr.com) wrote:

> Are the ETX's good for Planetary Astrophotograpy?

See the Astrophotography Galleries on my ETX Site.
And:
Thanks for the info. Is the new #884 tripod any better, or is it
comparable to the older #883? Is there a tripod that you would
recommend? I read thru what you had on your site, but it was confusing
to me.
Mike here: The new #884 is more sturdy than the #883. So is the #887. I don't have either however.
Subject:	Astrophotography
Sent:	Sunday, January 13, 2002 15:50:56
From:	XxGnEiSeNAuxX@aol.com
I have the proper camera and equipment.  Will the camera pick up on the
different colors?
Mike here: It will pick up colors. Whether they are proper or not depends upon the film (or imager) sensitivity to various frequencies and (with film) whether it suffers from color shifting with longer exposures.
Subject:	How can I eliminate star trails using a digital camera
Sent:	Monday, January 14, 2002 7:01:16
From:	r.rondjeff@verizon.net (Ron)
I am using a Kodak DC4800 camera to take pictures through my DS2130ate
and to eliminate vingetting I use the 3x zoom but  seem to get some star
trails.  When I set the camera back to approx. 2x zoom it reduces the
star trails but gives me vingetting.  My question is: Is there another
way to eliminate the star trails?  Can I change the tracking rate, and
would this work?  I am new to Astronomy and Astrophotography and any
help would be appreciated.
Thanks Ron
Mike here: There are a couple of factors at work here. First, by zooming in you are magnifying the motion and so what motion doesn't appear at the lower magnification can appear at the higher magnification. This means that you need to address the root cause of the trailing so that regardless of the magnification, no trailing is evident. HOWEVER, doing that requires a lot of patience and work. So, you must precisely polar mount and align your telescope (trailing can't be overcome in Alt/Az mounting without adding a field derotator device). You might want to see the "Getting Started in Astrophotography" article (linked from the Astrophotography page).

And:

Thanks Mike for your quick response and suggestions for the problems.
You have an excellent Web Site here!
Ron

Subject:	digital cameras
Sent:	Tuesday, January 15, 2002 12:04:51
From:	saber@dircon.co.uk (saber)
Ive checked out your astrophotography link, do you have any actual info
on the cameras themselves?

Obviously I could check out the products on their own websites but it
would be better if I could see what astrophotographers think of them.

Cheers
Sam
Mike here: The only info available is what is there in the user comments about the cameras. It would be nice to have a comparison of several different models but that would require that someone have several different current popular models.
Subject:	Picture quality?
Sent:	Wednesday, January 16, 2002 19:01:12
From:	john.hewit1@cableinet.co.uk (John Hewit)
Another thing I was wondering about is how do people get such amazing
pictures from their ETX's? I would have thought that if you attach a
camera to the back of the telescope it is just the equivalent of looking
through a 1250mm lens? How do they get such hugely magnified, clear
pictures when I can just about make out details through a high
magnification eyepiece? Also if a picture has a 20-30 minute exposure
surely even with the excellent tracking ability of an ETX the image will
wander a bit?

Definately going this time...
John hewit.
Mike here: Film and digital imagers are more sensitive than the eye and can "store" information better than the eye. Plus you can "stack" photos (overlapping, essentially) to add up the data on the film/image to improve the picture. And yes, long exposures can have "image trailing" unless you manually guide the telescope during exposure. This works best with piggyback astrophotography the camera is mounted on the telescope tube and takes the picture through its lens while the telescope tracks the sky (manually assisted by the user at the eyepiece). For more information on astrophotography, see the Astrophotography page.
Subject:	Nikon 800 and my ETX70
Sent:	Saturday, January 19, 2002 12:31:15
From:	jdslater@home.com (Jack Slater)
I ordered the Digi-T from Scopetronix but I'm concerned about using it
on my 70.  Is it possible, while the scope is adjusting, that the
mounted camera can run into the scope base?  If so, how do I manage this
or do I?
Mike here: Yes, this is a possibility. You can reduce the chance of a problem by rotating the camera body to be parallel to the telescope tube. This should let it avoid the forks when the telescope slews to high altitudes.
Subject:	AFocal adaptors
Sent:	Thursday, January 24, 2002 19:09:52
From:	fmbfla@iline.com (Drew)
I read an article on how to make your own afocal adapter by
Luettjohann@gmx.de (Stephan Lttjohann)

This info is in part about the Kodak DC240/DC280/DC3400 Zoom Digital
Camera's, and or any other Cam, Dig or Film with built-in lens's. These
cams have a lens that hides when powered down (shut off) their for it
would not be wise to use a "lens adapter" that attaches directly to the
cameras main lens for use with A-Focal imaging. The results can be real
bad. The cam will auto shut down on LOW BATTERY! (not if you have
portable power) this can do several things.

One (1), The cam will stay "ON" but not function until the batteries are
removed!.

Two (2) The cams lens will malfunction requiring that the unit be
serviced!.

Three (3) the cam will fall out of the Adapter and hit "terra
firma"!.awww geeezzz :-(

All of these scenarios are a bad thing, So "think" before you "do"!.
Kodak has Lens adapters for these cams and others, and it might even
improve the final results.

Drew
Subject:	Digital Photography
Sent:	Thursday, January 31, 2002 18:01:32
From:	divenuts@gte.net (divenuts)
While waiting for Dr. Clay to do his magic on my ETX-125, I found an
excellent site for digital cameras of all types. It is a forum that
covers everything imaginable...FYI
http://www.dpreview.com/

As always..my gratitude for your site,
Chuck Callaghan

Subject:	(no subject)
Sent:	Tuesday, February 5, 2002 20:34:01
From:	FinalFunk7@aol.com
do you use a etx-90 to take your pictures? and would a etx 125ec yield
bigger and better pictures than the etx90?
Mike here: I have used both my ETX-90RA and the ETX-125EC. You can get brighter images and more magnification with the larger aperture.
Subject:	Using Zenit TTL
Sent:	Wednesday, February 6, 2002 17:47:55
From:	teddhendrix@yahoo.com (jon dunne)
Great site!A few questions:1/What are your views regarding the use of
the Zenit TTL camera with the ETX 70AT?Is it too heavy?I have the
T-Adapter ring which came with the telescope but do I need another piece
of gear to attach the camera?What is this piece called and what would I
ask for in my local camera shop?Finally,am I right in thinking that the
the ETX 70AT comes wih a 2xBarlow lens?If so why did mine come with with
what I think is a 3xBarlow?On the little box the Barlow came in it
says:'#128 3xTelenegative Barlow lens (1.25")'.Am I misunderstanding
this?

Thanks and again....a GREAT site!!
Mike here: I have no experience or familiarity with this camera. Normally, to mount 35mm removable lens cameras (if that is what it is) you remove the lens, attach a T-Mount ring which is specific for certain camera models. That ring then attaches to the camera adapter, which attaches to the telescope. You can see these adapters discussed in more detail on the Accessory Reviews - Astrophotography page. As to the Barlow being included, I don't think there is any included with the ETX-70AT but if you got a 3X, use it.
Subject:	nice ETX astrophoto
Sent:	Saturday, February 16, 2002 10:22:25
From:	r.a.pollock@worldnet.att.net (Robert Pollock)
I've enjoyed your site for several years and have owned an old ETX90 RA
and an ETX90EC that I bought for a trip to Africa.  I found on a trip to
Australia that mounting a camera on the old RA mount in place of the
tube can give great wide feild pictures.  Here is one (resolution
reduced for easy transfer).

Milky Way
I have a small website that shows several approaches to Astrophotography and the results. It is at: home.att.net/~r.a.pollock/ I also have a site that is sort of the antithesis of yours. Yours is everything about ETX scopes, mine is something about most all scopes. It is: home.att.net/~telescopebluebook/ in case you want to list it in your links. Thanks again for your site! RaP

Subject:	E125 and Olympus and Minolta digital cameras
Sent:	Monday, February 18, 2002 15:17:07
From:	bhalper@attglobal.net (bhalper@attglobal.net)
Great site!  Thanks so much for keeping it so current.

I have one question and one comment:
1.  The Minolta D7 - I have the same setup that Joe Kazup wrote about. 
You simply cannot do any better with it because of the size of the
Minolta's lens.  After trying and trying and trying, I now use my older
Olympus c2000.

2.  The Olympus C2000 - is there a remote cable for this camera? All I
have is a remote timer control but no cable.  I live in Tokyo and I
THINK the guy at the shop I go to told me that there is no such thing as
a remote cable, which I find hard to believe. So I have to push the
shutter button on the camera, which does wonders for in(stability).

Thanks for any help/advice you can give...

Barry Halpern, Tokyo, Japan

Subject:	Astrophotography
Sent:	Tuesday, February 19, 2002 12:26:15
From:	kooz_jr@hotmail.com (Alex Kuziola)
For the past several days, I have read article after article after
article about ETX astrophotography, about which methods work and which
ones don't, due to the "sluggish" ETX drive system. Then many of the
articles contradicted each other saying some methods that the other
article said worked, in fact, didn't work. My question: What is the
bottom line?

What is prime focus good for? Bad for?

What about piggybacking?

What about CCD imagers for the ETX (e.g. SAC-7)?

What method would be best for photographing deep-space objects through
the ETX?

And one more unrelated question...on the subject of filters: when I
ordered my scope, I ordered both a LPR broadband and narrowband nebular
filter. Because the dealer was out of Meade LPRs, he substituted a
Celestron. He assured me the specifications were identical, so I agreed
to the substitution. To the best of your knowledge, are the Meade and
Celestron filters pretty much interchangeable, that is, yield the same
visual effects?

Thanks for your help and for the great site.

Alex
Mike here: Well, the good news is that you can do astrophotography with the ETX. And the bad news is that you can't do astrophotography with the ETX. Hope that clears things up... The real story is that you can do some kinds of ETX astrophotography on some objects with some equipment. There are many examples of ETX astrophotography on my ETX Site; some poor, some good, and some really amazing. All it takes is patience, luck, and some effort. But that's true no matter what telescope you use.

Piggyback astrophotography, with the camera (using a film camera) riding on the telescope tube, is the simplest form of astrophotography with a telescope. The telescope drive tracks the sky and so the stars stay in the same location on the film. This works great for exposures of a few minutes to about an hour. The telescope MUST be equatorially mounted (polar mode) to avoid "field rotation" during the exposure. (See the Accessory Reviews - Showcase Products page for some piggyback adapters.)

Prime Focus photography works for just like using a telephoto lens of the same focal length as the telescope. So, depending upon the telescope you may get a lot or a little magnification. Optically, this is the best choice to reduce light loss and keep exposures short. The ETX drive system is normally not accurate enough for exposures longer than a few seconds as best. (See the Accessory Reviews - Astrophotography page for info on adapters.)

Eyepiece Projection, where an eyepiece is used to project an image onto the camera's film plane, is nice when you need more magnification than Prime Focus provides. Unfortunately, it only works with cameras that have a removable lens. Due to the light loss exposures must be longer and then you run into the ETX drive limitations again. Focusing can be a real challenge. (See the Accessory Reviews - Astrophotography page for info on adapters.)

Afocal Photography, where an eyepiece is used along with a camera lens, works nicely with digital or other cameras that do not have a removable lens. You focus the eyepiece for your eye and the camera to infinity and shoot. This is likely the next easier to do after piggyback photography. (See the Accessory Reviews - Astrophotography page for info on adapters.)

CCD imagers (expensive) and imagers like the SAC system work well with the ETX. But keep in mind the drive limitations for long exposures. (See the Accessory Reviews - Showcase Products page for info on the SAC imager.)

Astrophotography of brighter DSOs can be done with the ETX models, given the above constraints. Again, there are many examples on the ETX Site.

As to the Meade vs Celestron LPR, I have only the Celestron one and it works for me.


Subject:	Re: Astrophotography
Sent:	Tuesday, February 19, 2002 20:40:14
From:	kooz_jr@hotmail.com (Alex Kuziola)
Mike-

I appreciate very much the time you put into your reply...I am grateful.

Epiphany! I think I finally have this all pieced together...correct me
if I'm wrong...

The big problem with ETX astrophotography is that, with the exception of
piggyback astrophotography, the camera is using up the "visual port" for
the scope, which prevents the esteemed astrophotographer (E.A.) from
seeing what the camera sees, and thus prevents the E.A. from making
minute corrections, corrections that are necessary due to the ETX's
less-than-perfect drive system and that especially are necessary during
long-exposure astrophotography. Right so far?

And the reason SCT and similar scopes are favored for long-exposure
astrophotography, aside from focal length, is because of the fact that
they have more accurate drives as well as off-axis guiders where the
E.A. can see what the camera is seeing, thus giving the E.A. the ability
to correct whatever tracking errors there may be.

And since there are no off-axis guiders available for ETX's, prime
focus, afocal, eyepiece projection, and CCD photography are not the best
methods, due to the ETX's sloppy drive system and the E.A.'s inability
to make corrections.

Whew...I think I finally understand this stuff now...am I right? :)

If I'm right, read on. If not, disregard the rest of the note, as it
presumes the above is fairly accurate.

ScopeTronix just came out with a Large Accessory Ring for the ETX models
that allow the connection of SCT accessories to ETX-90 and -125 models.
If a E.A.were to purchase a SCT off-axis guider and possibly a reticle
eyepiece, is it concieveable that prime focus astrophotography is
possible with the ETX?

Thanks again for your help!

Alex Kuziola, E.A.
Mike here: Well, you are essentially correct. The ETX can do astrophotography of all types, as can be seen on my ETX Site. And there are probably off-axis guiders that will work (you'd need one of the SCT adapters also). But the drive system is not designed (nor priced) to accommodate the minute corrections needed for accurate guiding at large magnifications. I've guided for piggyback photography (examples on the Site) using an illuminated reticle eyepiece but the image scale on the film is very small.

And:

So, basically the fact that the motor drives are a pretty jerky,
especially at high magnifications, is the primary reason why, in your
words, "the drive system is not designed (nor priced) to accommodate the
minute corrections needed for accurate guiding at large magnifications."

Thanks once again for your great advice.
Mike here: The drives were not designed with astrophotography in mind since these telescopes were not intended to be used for astrophotography. The fact that the telescopes CAN BE USED to take some amazing photos is what counts. If you want a system designed for astrophotography, you'll need to spend more money.
Subject:	Digi-T and Scopetronix 40mm
Sent:	Tuesday, February 26, 2002 14:31:13
From:	mk@frasercre.com (Michael Kaye)
Can I ask you some advice. I want to to do some more imaging and am just
about to purchase Scopetronix Digi-T system for my Nikon 995 as it looks
like a good product and will help with imaging.

However my lowest power eyepiece is the Meade recessed 26mm that came
with the scope and I believe this may cause too much vignetting
especially with shots of the moon . Therefore I was considering one of
Scopetronix eyepieces - either the 30mm or 40mm eyepieces. My first
thought was the 40mm but I see it has quite long eye relief and wonder
if this too will cause too much vignetting? Looking to the 30mm, will
this give me much advantage in terms of FOV over my 26mm.

Any advice would be gratefully received.

Thanks, Michael.
Mike here: I have been planning to try the Digi-T on the Scopetronix 40mm but just haven't gotten around to it. But the long eye relief could be a problem.
Subject:	ETX Astrophotography
Sent:	Sunday, March 3, 2002 15:18:20
From:	kooz_jr@hotmail.com (Alex Kuziola)
Hi Clay,

Before I start, I want to thank you for your advice on the black wire
situation yesterday.

I just read your article on Mike Weasner's site on ETX Astrophotography.
I am certainly one of those people who gets mesmerized by the colorful
astrophotographs pasted everywhere. I have committed myself, if its the
last thing I ever do in life, to get a photo of that quality using the
ETX and nothing but the ETX...no ETX riding piggyback atop a
mega-scope...a photo involving the ETX drives. Anyway, now that I've
gotten my life's goal out of the way, let me get to the point.

For the past several weeks, I have spent nearly every spare moment
researching different types of astrophotography and their associated
advantages and disadvantages, prices, etc... (I know, I have no life)...

Anyway, I have ruled out CCD imagers, after my awakening discovery of
their very small fields of view with the ETX, even with a focal reducer
or two. I'm now looking at a piggyback setup with a camera...I'm
debating whether to go 35mm or digital. While I like the price of a 35mm
camera, several factors are holding me back: 1) Cost of film (averaging
$5-$6 per roll); 2) Developing costs; 3) Having to wait for the prints
to figure out if I did something wrong; 4) Having to wait for the prints
PERIOD.

So, I've been considering that in the long run, a digital camera,
although much more expensive, might be the best option, since none of
the above factors or their costs are involved. I'm currently looking
into the 5.0 megapixel Sony DSC-F707 (their top-of-the-line camera
model), which has all the goodies, including full-manual everything
(exposure, focus, etc.), remote controlled shutter release, a f2 focal
length and even a nifty automatic noise subtracter built in. Anyway, my
question is, given for all intents and purposes that the 35mm and
digital models have practically the same features, do you think that the
digital camera would yield the same or better results than the 35mm?
Basically, I'm concerned that when I point this digital camera into the
sky and take an exposure, nothing will show up. I know it sounds crazy,
but it will be an expensive lesson to learn.

Also, I realize that you're probably not an expert in digital
photography, but if you could list some potential problems (and/or
advantages), in your view, using a digital camera for astrophotography I
would really appreciate it.

Thank you very much for your time!

Alex Kuziola
Mike here: Take a look at the Helpful Information-->Astrophotography. You'll see all kinds of examples and comments about 35mm and digital camera astrophotography. I took some neat photos last night using my Nikon Coolpix 995 that I'll be posting soon.
Subject:	Astrophotography
Sent:	Thursday, March 7, 2002 17:20:18
From:	johnm77707@nyc.rr.com (John)
Would a Sony TK-1070U COLOR CCD CAMERA have any use on an LXD55
Newtonian or any other astro photography applications?
Mike here: As you can see from the photos posted on my ETX web site (in the Helpful Information --> Astrophotography and Astrophotography Galleries), CCDs, digital cameras, and video cameras can be used to make some amazing photos.
Subject:	First scope for astrophotography?
Sent:	Sunday, March 10, 2002 16:38:42
From:	handcranked@hotmail.com (Joseph Taylor)
I've been looking into purchasing an ETX-90 or ETX-105 for awhile, and
for now, leaning towards the ETX-90.  I live in the city and
need something portable to take out into the desert.  The main
reason for the telescope purchase is to experiment
with astrophotography.  I'm not looking to do anything serious
such as deep sky photography.  It's strictly a hobby.

I know that the ETX-90 has the ability to have a lightweight SLR mounted
to its back, but I am wondering if there have been any issues with
cameras being to heavy for this scope.  I'll be using a Canon ELAN
IIe.  In your opinion, is the ETX-90 a good system to begin with?

Thank you,

Joe Taylor
Mike here: As you can tell from all the evidence on my ETX Site, the ETX-90 makes a fine first instrument. I'm not familiar with the Canon camera but yes, too much weight at the rear of the ETX will cause drive and axis slippage. You could make a counterweight system to offset the weight.
Subject:	ETX astrophotography
Sent:	Sunday, March 17, 2002 17:22:31
From:	handcranked@hotmail.com (Joseph Taylor)
I'm getting ready to purchase an ETX 90 or 105 for the purpose of
astrophotography. I saw on your web site that the ETX line really isn't
the best for doing time-exposures. With your experience, what is the
longest exposure one could expect, with good results, with one of these
systems?

Joe Taylor
Mike here: Seconds, except for piggyback astrophotography.

And:

Thank you for responding so quickly. For the time-exposures, are you
talking only a few seconds, so 4-5 secs., or longer, like 30-45 secs.
For piggy back exposures, how long can I go?
Mike here: Seconds, <10 for best results, and probably shorter. For piggyback, hours if you manually correct the tracking, 30 minutes or more unguided (but tracking with a good polar alignment) when using a wide angle or normal lens.
Subject:	Polar alignment & Star Trails
Sent:	Thursday, March 28, 2002 17:36:22
From:	fhlboss@buckeye-express.com (Terry Pierson)
Thank you for a wonderful sight...It helps beginners such as myself very
much......I have a etx 90 ec with a canon rebel 2000 camera,  with the
usual bells and whistles to take astrophotography pictures.

Been having success at piggyback & and prime focus astrophotography in
alt az mode and exposure times under 1 minute for the moon, jupiter etc
etc......

My first roll of film in polar mode, all shots of M-42 5-10 minutes
exposure all came out with star trails......Examining them, it appears
to be in focus, so I've narrowed it down to the polar alignment was
incorrect........Though I will say, the alignment process sure appeared
correct.....Any ideas, or perhaps a detail I missed?.......

Thanks for your time......

Terry Pierson

PS: Just for fun, I was out the other night, stayed out two hours, shot
a roll of film, came in the house pleased as  I felt I'd done every step
correctly, and discovered I had NO FILM in the camera........LOL, Now
thats as basic as it gets.....:)
Mike here: Are the star images trailed in curved lines or just squiggly lines? Curved lines would indicate an imprecise polar alignment. Squiggly lines would be from drive tracking errors. And imprecise polar alignment can come from not putting the alignment stars (assuming a two star align) in EXACTLY the same place in the eyepiece field-of-view. Also, you would need a very precise location (not just a nearby city) in your Autostar.

And:

Thank you for your prompt response......I don't post many messages, but
I read every update and learn that way.....My shots are about 50% curved
lines and 50% squiggly indicating that my polar alignment was incorrect,
and I have some tracking errors to repair as well.....Regarding location
in the Autostar, are you telling me to input my lat & long in lieu of my
city listed on the Autostar?.........Also, I studied your response about
placing alignment stars exactly in the same spot of the eye piece
FOV......Seems to me, I'd need a off axis guide in order to achiever
exact location everytime I take a shot.....Is there another way?
Mike here: Your position on the Earth is important for the alignment process to be real accurate. If your latitude is different than the one listed for the City you input you should input your exact location. However, some difference is acceptable depending upon the length of the exposure. But why not go for 100% accuracy on this entry. As to centering the stars in the same way, you can use a high magnification or even center with the star image out of focus and hence larger. Alternatively you can purchase an illuminated reticle eyepiece (see the Accessory Reviews - Eyepieces page).
Subject:	Piggybacking w/Meade DS-114-EC
Sent:	Sunday, March 31, 2002 5:22:42
From:	dblstar@prodigy.net (Don Bailey)
Can someone tell me if the mount (alt/az) for this scope will allow the
extra weight of a 35mm camera with a 135mm telephoto lens? I would like
to use this setup to shoot comets.

Thanks for your reply,
Don
Mike here: You should be OK however you will get "field rotation" in your photographs unless you mount the telescope in polar mode. For short exposures or short lens focal lengths you may not notice it but with the 135mm lens and exposures of several minutes you will. You may also need to use a counterweight to keep things in balance.
Subject:	ETX 70 with CCD
Sent:	Sunday, March 31, 2002 0:30:54
From:	davebrown7667@btopenworld.com (Dave Brown)
Would you please give me guidance on the following:-
I have an MX7c camera and AstroArt which I use on my 8" LX200. I'm
considering buying an ETX 70 so that I can take deep sky images at dark
sites. Will the MX7c and AstroArt keep the EXT 70 aligned accurately
enough to permit this.
Dave
Mike here: Doubtful. The drives are not as precise as your LX200 systems, nor is there a Periodic Error Correction mode. That doesn't mean you can not use the CCD with the ETX-70AT, it just means you'll have to keep the exposures short.

And:

Thanks for answering my email. I'll probably give it a try and  let you
know the outcome.
Once again, thanks; you've produced a great web site.
Dave Brown

Mike here: Keith's Image Stacker is a Mac OS program for automatically stacking images and making other refinements. I have yet to try it out (been fogged in) but will report on it once I have a chance to use it.
Subject:	Which Camera and adapter for ETX-90 RA
Sent:	Wednesday, April 3, 2002 17:26:12
From:	alchemy@bellatlantic.net (Kendell and Donovan)
I have 4 cameras to use with my ETX 90 RA and would like to know which
camera and adapter you recommend.  I have the following cameras:

Canon AE-1
Canon A-1
Canon F-1-old style imported by Bell & Howell
Minolta XE-7

I have no adapter as yet.  Please provide me the part number if it
wouldn't be a problem. Thanking you in advance for all of your help.
Very fine web site
Mike here: Personally, I don't have any of these cameras. For starters, I suggest you take a look at the Canon and Minolta pages on the Helpful Information --> Astrophotography page and then look at the Accessory Reviews - Astrophotography for info on adapters.
Subject:	Digital Video Astrophotography
Sent:	Wednesday, April 3, 2002 17:26:17
From:	Wryword@aol.com
Hi Mike, I was wondering if you or anyone has tried  digital video
photography with the ETX scopes, particularly the 125.  There's an
article on the Sky and Tel. website about it, and a link to "Astrovid"
for those who want a camera specifically devoted to this kind of use. 
Do you or anybody else have any thoughts or recommendations about this.
Mike here: Take a look at the Astrophotography Galleries and the Helpful Information --> Astrophotography pages; you'll find several examples of digital video astrophotography with the ETX telescopes.

And:

I'm not a complete grifter on your site. I bought your book, seeing as
how good your site is and how knowledgeable you are.  Can't thank you
enough for the link to Dr. Clay.

On maybe a personal note, I have often gone to the part of your site
about your brother.  That was a very loving, kind thing you did.

John Henry, a/k./a Wryword, Ocean Springs, Mississippi

Subject:	Stacked Image?
Sent:	Wednesday, April 3, 2002 18:33:19
From:	Wryword@aol.com
On the part of your website showing digital camera images, everyone
refers to a "stacked image".  What's that?
Mike here: Stacking images is a technique (manual or automated by software) to overlay images, thereby reducing noise in the final image and increasing contrast and bringing out details that might not otherwise be evident.
Subject:	digital astrophotography
Sent:	Wednesday, April 3, 2002 22:06:55
From:	rwhaley@email.com (Russ Whaley)
I keep coming back to your site every month or so to catch up on the
latest on the ETX60 & 125.  I am trying to get into astrophotography. I
have purchased a T64 adapter and mounting ring for my Minolta SLR
camera. I have an older Olympus digital camera that does not have a
manual focus (nor a 'bulb' mode for extended captures).  I am interested
in purchasing a new camera and was wondering if you had any
recommendations?  I have looked at the Sony Mavica CD300 and the Olympus
700UZ.  While I will have other uses for the camera, it needs to meet
the needs of my astrophotography first (I have a digital camera for
other uses).

Whatever information you have would be great.

Thanks for your help and the great site!

Russ Whaley
Mike here: I have the Nikon Coolpix 995 and really like it for astrophotography and general use as well. See the Helpful Information-->Astrophotography section for examples and tips on various models of digital (and film) cameras.
Subject:	Telrad and Piggybacking
Sent:	Tuesday, April 16, 2002 2:15:53
From:	retrimble@rogers.com (Ralph E. Trimble)
I purchased a barely used Meade ETX125EC about two weeks ago (photo
attached) and have been busy purchasing accessories for it (as the
weather has been MOST uncooperative here lately for actually USING it)
and would appreciate your opinion on a potential problem. I would very
much like to try piggybacking my 35mm camera to the 125, but it already
has a Telrad finder attached to it. (See attached photo.) Of course, the
Telrad can be removed from its base/mount, but the base/mount itself is
pretty well permanently attached to the tube. I have been looking at the
ScopeTronix Piggyback mount online, but I don't know if the 'strap' or
bracket that goes around the tube will also go around the base allowing
me to use it. I don't know if the ScopeTronix piggyback has a flexible
belt, or solid metal strap. I would certainly appreciate your advice on
this matter.

I already have a Meade T-Adapter and T-ring for my camera, as well as a
ScopeTronix Digi-T Ring set for my Sony Mavica FD-83 digital camera, but
I would like to try piggybacking as well.

Since I haven't been able to use the 125 more than once since I bought
it, I've been spending a great deal of time reading and printing
articles from your wonderful ETX site. I also just received your new
book on the ETX in the mail from Amazon. I must thank you for making my
introduction to the ETX125EC *SO* very much easier!

Many thanks in advance for any help you can offer.

All the best,

Ralph Trimble
retrimble@rogers.com
Markham, Ontario, Canada
(just north of Toronto)
Telrad
Mike here: The commercial piggyback adapters are a solid metal collar that slips over the telescope tube. It looks like there were be room just ahead of the Telrad. You would probably have to mount the camera a little to the left side to avoid the Telrad. Alternatively you could make your own; see the examples on the Helpful Information --> Astrophotography page.
Subject:	Site LInk
Sent:	Friday, April 26, 2002 17:04:32
From:	greg.beeke@btinternet.com (Greg Beeke)
I've been trying to see how far one can push an ETX90/EC as a CCD
Imaging platform.  I have been using long exposure modified webcams in
prime focus and piggyback mode.  I though you might like to link to my
site, which give details of my set up and some images, including deep
sky.

BTW I've learnt a great deal from your sight, especially relating to
tuning the ETX mount.

Thanks
Greg Beeke
52N6 1W22
www.greg.beeke.btinternet.co.uk

Subject:	basic camera adapter
Sent:	Saturday, April 27, 2002 12:22:19
From:	cwagoner@excite.com (Chad Wagoner)
I have a Minolta SLR camera and an ETX-90EC.  I have tried to use the
basic camera adapter with prime focus and afocal projection, but I have
run into the following problems.

When using this adapter at prime focus, how do you focus the image?  The
camera viewfinder is much to dark to discern the image.

When using the adapter in afocal projections with an eyepiece in the
adapter.  Do you focus the image using the eyepiece and then attach the
camera to the T ring?

Needless to say, my initial tries at astrophotography have been frought
with problems. Mostly focusing issues due to the dimness of the camera
view finder.  I have Astrophotgraphy for the Amateur, but it is
difficult to apply at times.  Any support you can provide would be
greatly appreciated.

thanks,
chad wagoner


----------------------------
"I want to know God's thoughts...the rest are just details." --Albert Einstein

------------------------------------------------
Mike here: You are correct that focusing is a challenge. When doing prime focus photography (no camera lens nor eyepiece) the telescope acts like a telephoto lens, in the case of the ETX-90 you have a 1250mm telephoto. You can make a "focus aid" as discussed on the Telescope Tech Tips page which will help. In afocal photography, where the both the camera lens and eyepiece are used, you focus the camera lens to infinity and the eyepiece to your eye (assuming correct vision). Then mount the camera and shoot. The image will be in focus. If you are doing eyepiece projection photography (eyepiece but no camera lens) then you have the same problem as with prime focus photography. Keep in mind that you have to keep exposures short and avoid vibrations enduced by the camera's flip mirror and shutter movement. Use the "hat trick" method.
Subject:	etx mount
Sent:	Friday, May 3, 2002 14:56:54
From:	hai.ta@utoronto.ca
If I were to get just the etx-ra mount, would I be able to use my camera
instead of the etx body to track the stars (that is use my camera on the
equatorial mount designed for the etx 90).

Do you understand what I'm asking? I want to know if removing the etx 90
from its ra mount is as simple as unscrewing the tripod mount from
it..that is does it connect to the mount with a 1 1/4 screw...that is
does the 90 body use the tripod block to connect to its mount.

Thanks,

hai
Mike here: Well, it is not quite that simple to remove the OTA (optical tube assembly) from the fork mount; there are fours hex screws that have to be removed and then you can remove the tube. Also, there is no camera tripod screw on the top of the base that you can attach a camera to. BUT, a better way to do this is to purchase a piggyback camera adapter. See the Accessory Reviews - Showcase Products page for a couple of reviews.
Subject:	what can i do
Sent:	Saturday, May 4, 2002 12:29:37
From:	john3@optonline.net (John Scully)
Ok I have an etx-90ec and I want to start to do astrophotography with
it, I have an old 35mm so I can do everything manually. I have all the
correct adapters but the only problem I am having is the weight. I get
it all lined up for the picture I let it go and the scope tilts back, is
there any solution to this?

TIA

John
Mike here: Add a counterweight to re-balance the system. You can make one or buy something that will work.
Subject:	etx photography
Sent:	Monday, May 6, 2002 9:09:56
From:	allen.pinkall@mcpherson.com (Allen Pinkall)
I've recently purchased an ETX 90, and feel lucky that I've found your
site.  It's been informative and helpful.  Great Site!

My question:  I recently went to a telescope shop and asked for a camera
adapter.  The clerk set me up with an adapter and a t-mount ring for my
camera.  I expected to get an adapter which would attach to the back of
the telescope, but the adapter I bought does not fit there, but appears
to fit in the eyepiece socket.  Is there any advantage/disadvantage to
this setup over the adapter connecting to the back of the telescope? 
Does one more 'bounce' off the mirror make a significant difference?  To
sum things up, should I exchange the adapter for the one I originally
wanted (including a one hour trip) or keep the setup I currently have?

Thanks!
Allen
Mike here: As long as you can focus you can still shoot through the top port. I suspect the adapter you have may also accept eyepieces for eyepiece projection photography.
Subject:	photo idea
Sent:	Wednesday, May 8, 2002 21:04:39
From:	MartinHMiller@msn.com (Martin Miller)
I've never done astrophotography but I checked out your site and had an
idea.  I'm in Photo 2 at my high school and an assignment we have is to
use pinhole cameras, a pinhole camera is basically a light-tight box
with a pinhole and a piece of photo paper inside, using a piece of black
tape as a shutter over the pinhole.  Because it uses a pinhole instead
of a lens it has an infinite depth of field.  I made mine out of an
empty film canister so it is pretty light, it could be mounted onto a
telescope really easily and its low weight should allow the telescope to
track properly.

If you'd like some more detailed information on how this could be done
email me back.

This summer I will try to go to my friends house and use his telescope.
Pinhole camera
Mike here: Pinhole cameras do work. Image quality will be low but it will be interesting to see what kind of sky photography you can do.
Subject:	land photography
Sent:	Friday, May 17, 2002 20:25:33
From:	a.j.neilson@xtra.co.nz (alan & jenny neilson)
Could you please advise me as to what settings I need to have my camera
set to to take photos through my ETX 60 AT. The camera is a Minolta
500si. Also do I focus on an object through the eyepiece and then flip
the mirror or do I focus through the camera lens. At the moment we can
not get the camera to take photos when connected to the telescope.
Please help 
Mike here: If your camera has a removable lens, is a SLR camera, and you have it mounted at the rear port, then you focus the image on the camera's viewscreen using the ETX focus knob. If the camera does not have a removable lens, then you must do "afocal photography" which means you shoot the image seen in the eyepiece. In this case, you focus the eyepiece to your eye (assuming you have normal vision) and the camera lens to infinity. For more on photography, you find lots of tips and info on the Helpful Information-->Astrophotography page.
Subject:	Photography w/ETX
Sent:	Saturday, May 18, 2002 11:10:45
From:	Lacydthomas@aol.com
I've been visiting your site.  I have an old ETX and I have bought the
coupling ring and a T-adaptor for my Pentax Spotmatic F.  I have tried
to take pics of the Moon and also the Sun, but I can't get anything but
a huge blur.

If you get the time could you point me to a site where I can find out
how to correct whatever it is that I'm doing wrong?

Thanks.  I think you have a GREAT site.
Lacy Thomas
Columbia, MD
Mike here: The blur could be due to one of two problems (or both, actually). Is the image in focus? if not, then you have to focus the image on the camera viewscreen. Second, and probably more likely, is blurring due to movement of the telescope during the exposure. When the SLR mirror flips up and the focal plane shutter curtain moves, they create some vibration, which is tremendously magnified by the telescope. So, unless you are using very short exposures (1/125 or shorter) you will likely be getting this vibration blurring. The solution for longer exposures is to use the "hat trick" method; hold a dark object (like a "hat" or other solid object) in front of the telescope objective, trip the camera shutter and keep it open (using the "B" setting), wait a few seconds for any vibrations to dampen out, flip the "hat" out of the way for the duration of the exposure (you can get 1/2 or 1/4 exposures this way or longer as well), and then with the hat covering the objective, release the shutter.
Subject:	Meade ETX&Nikon
Sent:	Saturday, May 18, 2002 13:06:38
From:	dkerr@epix.net (Dana Kerr)
Could you point me in the right direction to find out how to use my
Meade ETX, as a lense for my Nikon Cameras. I want to try and use it for
bird photo's
Thank you for your help
Dana Kerr
Mike here: See the Helpful Information --> Astrophotography page on my ETX web site. Lots of general info and links there.
Subject:	Photography
Sent:	Friday, May 31, 2002 13:05:04
From:	salvagemike@cox.net (Mike Quinn)
Is there is an adapter for digitals at prime focus.  I currently am
trying to use the Digi-T with an eyepiece and an Olympus camera.

Thanks again,
Mike Quinn
Mike here: I don't recall seeing one. The problem is that most (consumer) digital cameras have fixed lens. For prime photography the telescope becomes the lens, so the camera lens is removed.
Subject:	Camera Selection
Sent:	Tuesday, June 4, 2002 15:55:09
From:	plasmaknight@hotmail.com (N O V A)
What camera would you choose for astrophotography using the Meade
T-Adapter to attach the camera directly behind the ETX90/EC?

I'm looking for a fast camera with a great long-term exposure
capability. I want a camera that could take images I would feel proud
of. What camera would you suggest?

Thanks!
Mike here: Actually, for prime focus photography, the cheaper (read "older") the better. You want a camera capable of removing the lens, full manual shutter control, ideally it would have a mirror lockup feature, and it must accept a shutter release cable. Check your local camera store for a used Pentax, Olympus, Nikon, etc, 35mm SLR.
Subject:	Re: Camera Selection
Sent:	Wednesday, June 5, 2002 9:23:58
From:	plasmaknight@hotmail.com (N O V A)
Which camera do you use? I saw a picture of the camera you had with the
wire attached to the shutter. I suppose this is to take pictures without
disturbing the telescope. What kind of camera is it and would it be good
for the kind of photos I am wishing to take?
Mike here: I use a 1968 vintage (I'm the original owner) Pentax Spotmatic SLR. And you can see the type of photos it can do by looking at the Astrophotography pages. But I tend to use my Nikon Coolpix 995 digital camera more often now.
Subject:	ETX 125, astrophotography
Sent:	Tuesday, June 11, 2002 2:12:42
From:	nobilefamily@freesurf.ch (serge et julie nobile)
I have bought  an ETX in mars 2001 and it came out that there was a
defect (a coma) in the optics that I discovered one year later ..... We
dont have very good weather here in switzerland ! The scope was sent
back (in France I think) and came back fixed one month later. I am
trying asrophotography so I build myself a support for the camera with a
hose collar (very stable indeed) and now I am wondering how can I follow
the stars during long pose shots. I guess I need a reticlated ocular ?
What kind (brand ?) do you suggest ? Is it crazy from me to try long
pose photos with the ETX 125 ?

Thank you for your answers. Great Site Mike !

Serge Nobile
Geneva Switzerland
Mike here: The best long duration astrophotography you can do with the ETX is done by piggybacking the camera on the telescope tube. The camera shoots the sky while the telescope provides the tracking. You can adjust the tracking using a high power eyepiece (with or without an illuminated reticle). There are two reviews of reticle eyepieces on the Accessory Reviews - Eyepieces page (Rigel Systems PulsGuide and Celestron Guide Eyepiece). if you want to do long duration astrophotography THROUGH the telescope then you will need an off-axis guider accessory (no reviews on the Site).
Subject:	EXT/digital camera connections
Sent:	Friday, June 14, 2002 11:39:16
From:	elropo@unidial.com (Patrick Lynch)
Great site, Mike!  Maybe someone has been down this road.  I know that
most astrophotography hardware is still for film cameras.  Does anyone
know if the rear port connection can be utilized to direct couple a Sony
digital - I have a DSC-S70 with both 43 mm and 52 mm extension tubes
that allow full travel of the telephoto lens.  Why not just attach the
camera and tube to the rear port directly?  Too much vignietting ?  Or
has this been tried?  The telephoto lens travels to the end of the
extension tube and would be very close to the port itself.  I don't know
what the threading is on the port itself.  Is this worth pursuing?

Pat Lynch
California
Mike here: I haven't seen any rear port connectors for digital cameras. Remember, for prime focus photography you have to remove the camera lens and most consumer digital cameras today do not have that capability.
Subject:	focussing
Sent:	Tuesday, June 18, 2002 13:44:13
From:	marc.delaney@ntlworld.com (marc.delaney)
Should one wear eye glasses for focussing? My photos of the Sun do not
show sharpness around the sunspots which I can see on direct
observation. I do not normally wear glasses for distance viewing but I
do need a small correction for 20-20 distance viewing. I do need glasses
for reading. For afocal photography with my Coolpix-995 on infinity
focus setting and Scoptronix Digi-T, should I wear the glasses when
visually focussing before attaching the camera? If so which pair ---
distance or reading?

Best wishes,

Marc
Mike here: You want your eyes to be able to focus to infinity. So the distance glasses would be the one to wear.

And:

Thanks Mike. As always, so prompt in replying. How can we thank you for
such selfless help! This is Britain, so I'll have to sit twiddling my
thumbs to put your advice to practise, until our weather sees fit to
smile.
Marc

Subject:	Total Solar Eclipse
Sent:	Thursday, June 27, 2002 11:56:10
From:	Quarryeff@aol.com
In December there will be a TSE visible in Southern Australia just before the sunsets.

I hope to be there for my first TSE.

I am a long-term amateur astronomer but have only had this ETX125 for a
month. It's going with me to Aus. and I hope to get some good pictures.
I am well aware that you only have minutes to get the best bits so I
hoped I might get some tips. I am of such an age that I could probably
witness only a handful more. So I don't want to fluff it.

I have a very lightweight CanonEOS 5000 which I could use but I am most
keen to use my Olympus 10X Zoom digital 2100. Maybe I could use both.

Anyone with experience as to how to not muck up? Also some ideas as to
exposures (I like to use 200asa with the Canon) that would be best for:

views in general from 90% before total through to the same after 
corona at total
prominences at total
best filters to use      (a) approaching totality
                               (b) at totality
any tricks how to change filters quickly?

I would be pleased if people with experience could advise.
Mike here: Sky&Telescope usually has some photography tips posted before eclipses (and may still have the last one online). You will likely not even use your telescope (except maybe for partial phases or close ups of prominences during totality). You'll need a solar filter for the camera (and/or telescope) for the partial phases (see the Accessory Reviews - Filters page). For totality no filter is used. Bracketing the exposures (especially with film) is a good idea. Experiment a month or two before the eclipse.

And:

Thanks for the tips. Do you have any to ensure the skies are clear?

Regards

Roger Munns
Mike here: Sure, go into orbit...

Return to the top of this page.

Go to the next Astrophotography - Tips page.

Go back to the Astrophotography Page.

Go back to my ETX Home Page.


Copyright ©2001-2 Michael L. Weasner / etx@me.com
Submittal Copyright © 2001-2 by the Submitter
URL = http://www.weasner.com/etx/astrophotography/astrophotography_tips2002a.html